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I giorni della Merla

When I was little, on time every year in late January, from first to fifth grade, the teachers told us the legend of Merla, leaving us the task of illustrating her story with a sequence of drawings.
There are several versions, to which I add that I remember.

Long ago, the Blackbirds had a snow-white plumage ....
It happened in the last days of January, a blackbird because of the cold and snow, he found immense difficulty in finding food for his merlottini ...

He decided to leave the nest unattended, and leave in search of food .....
In his wanderings, numb with cold, the blackbird perched on the smoking chimney of a house ....
In doing so, the smoke issuing from the chimney dyed his plumage of black ...

The blackbird, did not notice the change, until they were her children to let them out ... back to the nest, in fact, the merlottini not know her, and began to peck at, although she claimed to be their mother. .

Then God took pity on the poor blackbird ... and made it even merlottini blacks, and since then all the blackbirds had the black feathers .....

The last three days of January, are known to be the coldest of the year ...

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Val Brevenna: Casareggio

along the branch that reaches Tuna, one encounters the 'old village of Casareggio, one of the best preserved of the' valley.

Many more homes in stone masonry and some retain the cover with the so-called ciappe stone.

Among cobbled streets, small barns, barns and troughs time seems to stand still, especially in winter when the country is virtually uninhabited.

Of particular interest, the house called the locksmith with lame dialog and on the façade there are two dials, one derived from a stone slab which preserves the gnomon and the other painted in fresco.

Merdiana on the facade of the House of Fabbro

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Val Brevenna: pian dei Curli

The top part of the country of Casareggio, at the large trough near the small church, with difficulty following the trail crossed the circle, go up cohorts abandoned fino a raggiungere il piccolo nucleo rurale abbandonato di Pian dei Curli.

Si tratta di una manciata di case in pietra, alcune ormai completamente diroccate, edificate attorno ad un antico lavatoio.

Di particolare interesse ed ancora ben conservato un vecchio edificio con retrostante secchereccio: il “gre”, ovvero la struttura su cui venivano poste le castagne, ottimamente conservato, è costituito da una fitta rete intrecciata di rami di castagno, che consentiva al fuoco sottostante di fare passare il calore che faceva seccare le castagne.

Detail of "gre" - trellis to the 'drying chestnuts

The secchereccio

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Val Brevenna : Aia Vecchia

Just before reaching Casareggio tuna and then a short detour leads to the small village of Aia Vecchia.

A handful of stone houses huddled together at the other, with the 'inevitable trough, the barns, "Celtic", once covered with straw and stones all the bands' around.

be pointed at 'the beginning of the country, an entrance surrounded by large limestone blocks.

The name comes from 'use for threshing cereals such as rye, wheat and oats were grown on the surrounding terraces.

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Val Brevenna: Lavazzuoli

rural village reached from the village of Piancassina through Antola the direct path to the mountain, is composed of a small group of old houses and farms, and a little further upstream from an old farmhouse with attached barn both restored and used from 'Farm La Casa del Sole

It' s the highest hamlet of Val Brevenna with its 1145 meters above sea level., are also here to recognize the old terraces once used for ' Agriculture and hay now partly recovered from 'Farm.

Worthy of note, just before reaching the House of the Sun, the 'watering hole with an adjacent source covered in drywall and hollow.

Just above the House of the Sun, along the mule trail, there is an old farmhouse with a front tapered characterized in the end by stepping on a very clear, typical of the "Celtic holiday.

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Ieri, oggi...domani..

Sometimes the memories resurface, the memories of a past that can not come back, that was not lived but only touched ..
The mind starts to wander toruosi torments, about what was and what could be, on what was and what could be, what was not and could not be more ..

Simple ways to go but with a 'only goal, or we are the architects of our destiny?

I always said that one man was given the opportunity to choose the path, nothing could be done to influence the end of the story. It is not the man who wrote the book of his life ... choose the streets, easy and short or long and bumpy, but not the end point ..
can lengthen or shorten the time, more or less deal with ups and downs but può deviare dal luogo di arrivo...può arrivarci con maggiore consapevolezza o con una consapevolezza diversa...questo si, ma la destinazione è stabilita...

Ognuno di noi è solo un personaggio nelle mani di uno scrittore bizzarro chiamato destino...

Ora le mie convinzioni vacillano, e mi chiedo, quale sarebbe stata l'evoluzione di alcune situazioni se avessi fatto scelte diverse da quelle che ho fatto, sarei riuscita a cambiare la destinazione o avrei solo cambiato strada...e se l'avessi fatto...a quale consapevolezza sarei giunta? Non lo saprò mai...se avessi cambiato strada...probabilmente non sarei quella che sono oggi, e magari mi porrei domande opposte a quelle che mi passano ora per la mente...

But the question remains, uncertainty remains ...

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Genova: il Cimitero Monumentale di Staglieno

The Staglieno cemetery is one of the cemeteries leading Europe 's and the value of its monuments funeral is considered a real open-air museum.

The numerous works, mostly of Genoese sculptors , give the whole an important value under the aspect of 'architects and funerary sculpture, blending various artistic movements, from neo-classicism, all'eccletismo, art-nouveau, art deco, until the 'architecture.

The project was started in 1835 by Carlo Barabino, the most important architect of the nineteenth century Genoa and continued after his death, the pupil Giovanni Battista Resasco.

Opened in 1851, has been developed with great intensity after the First World War.

Photos made with Nikon D700 - Nikkor 12/24 - freehand.